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"Nanette" by Hannah Gadsby (2018) · IMDb · A

When I’m doing jokes that I do at the start of the show about lesbians, everyone laughs. It’s fine, it’s fun. I do exactly the same to men, and it’s not. That’s less to do with the men, but also the cultural practice. They’re not used to it.

That’s the way comedy is. Comedy is a man’s art form. It pretty much came from a time, post–World War II really — the 1950s are not really known for the subtle expressions of feminine life. There’s a lot of dick-swinging going on in that time, sort of like destroying modernism and bringing in postmodernism. Stand-up comedy’s come out of that era. It’s born from stand-ups doing jokes between burlesque shows. Then roasts, you know, which are basically misogyny and homophobia all wrapped up in “yo mama” jokes. The whole art form is centered around jerking off, so it’s no surprise that the endgame is Louis C.K.

A joke is a wank. Set-up … [does a jerk-off motion] punch line. Then you’ve got what I’m trying, storytelling. If the only reason to be on stage communicating with people is to tell them a joke and make them laugh, that seems thin for me. That has a place — I don’t think it should stop happening — but for me, I don’t know. I just don’t.

via Vulture. Also a contrast between Bill Maher and Gadsby.