Another jingoistic saffron shitshow a la “Padmaavat”1. Quite the visual spectacle: like walking through a racist and revisionist Amar Chitra Katha. Saif Ali Khan’s Uday Bhan is the only interesting character. Of noble Rajput blood, he succumbs to eating crocodile meat, sexual assault (of chaste Hindu women who need protection), comical levels of bloodlust, a fuckton of kohl, and villainous-looking sartorial choices.
Because that’s what hanging out with evil Muslim foreigners will do to you 🤷♂️
Prof. Ruchika Sharma’s take on its historicity is worth reading for these things called ‘facts’ your WhatsApp relatives won’t appreciate. ProTip ✨: Please don’t make the mistake of suggesting that the “India” depicted in the movie did not exist until independence, three centuries later #swaraj
A wafer-thin afterthought of a plot undergirds an important and harrowing commentary on the history, pervasiveness, and evil of the caste system in India.
Excellent cinematography and performances by Ayushmann Khurrana, Kumud Mishra as Jatav, and Sushil Pandey as Nihal Singh.
Watched with Paaji. Third Anurag Kashyap and Amit Trivedi film. Superb. Maybe a little too drawn out at times (gotta fit in all 14 tracks of that sweet Trivedi score) and was dismayingly Hum Dil De Chuke Sanam-predictable towards the end.
“Gray Waala Shade” (with the accompanying opening scenes) is a magnificent song12.