Saw with LD. Stylish, great cinematography, good dose of Russell Crowe’s gravitas, and plenty of wealth-porn1 (and gratuitous art history lessons). Huge build-up of suspense (a la “Clue” or “Orient Express”) with a lame resolution towards the end.
Oh and RZA’s in this movie. I continue to be delighted by the random stuff he decides to show up in.
There’s a scene where Russell Crowe opens a case containing at least $2M+ in watches and swaps a Panda Rolex on his wrist for a 5711 (or something like it with a few nice complications). Even though it’s very well-established that our protagonist is a man of means, this scene is absolutely essential to the story being told because… 🤷♂️🖕 ↩︎
This is the Patek Philippe 5131. It’s a world timer with a lovely hand-painted cloisonné enamel dial, a marvel of engineering and ingenuity from one of the Holy Trinity of watchmaking that will set you back at least $150,0001.
It also features one of the shittiest choices of typeface I’ve seen on a watch of its calibre.
I wonder what the design process was at this august company when it came to this watch’s dial. It would appear that someone at Patek opened up Microsoft Word (at the last minute?) and just fell in love with the majesty that is the SHOUTING VARIANT of Lucida Calligraphy. The overall effect is one where you wonder if you’re looking at a knockoff.
I like to imagine they received feedback about this ‘bold’ choice since here’s the next version, the 5231, on the right (with its ghastly older brother on the left).
As if, somehow, by losing myself in the beautifully rendered map of the Americas, Africa and Europe, I could remember how interconnected this world once was and hopefully will be again. So, I began to see my World Timer as a chalice of renewed hope to once more live the glorious opiatic maelstrom of transcontinental travel, even if for the time being this is limited only to my imagination as I write these words.
Cool man.
If you’re new to the world of watches, this is a very reasonable price for a piece like this. Consider this Rafa Nadal-endorsed Richard Mille (RM 27-04) that costs well over $2.5M (here’s why). It is, again, a wonder of mechanical engineering and watchmaking. As far as time-telling goes, this legend that is the Casio F91W ($10 or less) is more accurate (and, I imagine, can withstand “12,000 g’s” while lasting more than a decade on its battery). ↩︎
A guide to elegant post-dinner debauchery from Mr Wei Koh, watch aficionado, Style Council member and founder of The Rake Magazine, in partnership with IWC Schaffhausen.
The ‘guide’ in a nutshell: “Drink whatever you want, with whomever you like, talking about anything you’d want to, on any day of the week, until any time that works for you. I’m rich. Buy this watch.”
Developed in England during the 17th and 18th centuries, minute repeaters sound the time in hours, quarters and minutes—hence their name. Repeaters served a practical purpose: telling time in the dark. When streetlights were rare and matches and candles precious, chiming watches were a logical solution but not a simple one.
[. . .]
A minute repeater chimes different sounds for the hours, the quarter hours and minutes. The lowest tone—dong—is for hours, the highest tone—ding—is for minutes and a combination of both—ding-dong—counts quarter hours. If the slide is pushed at 12:59, the sounds heard are: 12 dongs for the hour then three ding-dongs for the quarter hours followed by 14 dings for the minutes.
How delightful! Watches with these complications are very difficult to make and are hence very expensive. Here’s a video of Patek Philippe’s entire line of minute repeaters. Cursory Googling tells me that the nine watches on the table are worth a total of ~$5.4M.
