REALLY 📢 LOUD 📢 NOISES 📢 with a good dose of Hindutva1. It’s really, really loud.
This is Boyapati Srinu’s third movie with Balakrishna after Simha (loud) and Legend (louder.) Akhanda is the loudest and shittiest collaboration yet. The story is a complete afterthought and, very loosely, holds together punch dialogues, fight scenes, and forgettable shit songs featuring Balakrishna’s embarrassing and dismaying calisthenic attempts at joint health and mobility2. Meat for the most hardcore of Balayya fans. At this rate, he could just put out a two-hour plot-free smorgasbord of Balayya belting us with nothing but punch dialogues and still have a hit on his hands.
Diarrhea with kernels of punch dialogues. Please make sure you protect your hearing if you decide to watch this disaster. Here’s a review via NN. 0:09 to 0:24 is accurate.
When I said the first few seconds of the review above were accurate, I wasn’t fucking around.
Those histrionics are marginally better than the movie.
The music director thinks it’s wrong to call his shit loud. “You don’t ask the priests at the temple to turn down the volume of the bells ringing do you?” He submits that the ear-splitting volume induces a “trance” state. Otolaryngologists might call it “trauma” but OK Bro.