Saw with LD. This was our first Asghar Farhadi movie and it won’t be our last. Everything was magnificent: story, acting, screenplay, all of it. I remarked to LD that he managed to punch us in at least ten emotional centers in our hearts. So masterfully paced we didn’t feel two hours flow by.
Here’s a short clip where he describes his filmmaking process:
The hardest part is when the movie is done. When the movie starts to have its distance from me. When the movie is over I don’t show it to actors. Because they just look at themselves, and their opinion wouldn’t help me. I show it to some people who don’t have anything to do with cinema. Same with the script. I have the past script to the French teacher of my daughter.
When normal people see the film they can’t tell you what they feel right away. But while they’re watching the film you can sit with them and feel which part they are getting bored and which part gets them excited. The most important thing for me to understand after I am done with a film is that if my film is boring or not. I don’t like anyone to go out when viewing my film even if they have to go and pee. My film has to do something that they have to finish it and then leave.
I’ll watch the A Separation next1.
Not that they matter too much but both these movies won Academy Awards for Farhadi. He refused to accept the second Oscar in person “out of respect for the people of my country and those of other six nations who have been disrespected by the inhumane law that bans entry of immigrants to the US.” If you didn’t notice when the movie was released: One guess as to which administration that happened under. ↩︎