five things tagged “thriller”

Taboo (2017) IMDb B+

Saw with LD. Eight-episode miniseries, with Season 2 in the works. Could’ve been at least two episodes shorter. Trippy, wonderful cinematography, just unbelievable production quality, and backed by (yet another) amazing score by Max Richter.

Especially great if you, like me, are a fan of Tom Hardy. His character growl-mumbles his way through Regency-era London as a traumatized 5-D Chess-playing badass with a vendetta who takes on the East India Company and the Crown, and who may or may not have supernatural powers that allow him to commune with the dead.

And when I say “growl-mumbles”…

My favorite character was Brace (😭😭😭), played to perfection by David Hayman.

Shadow of a Doubt (1943) IMDb A

Watched with CK. This was Hitchcock’s favorite movie:

This was my father’s favourite movie, and it was because he loved bringing the menace into a small town1, into a family that had never known any bad things happen to them. They adored this uncle. They just adored him. Yet they had no idea what he is like. The whole suspense of the movie is, “When are they going to find out?”

Patricia Hitchcock

And then there’s this exchange 🤣

CHARLIE
Oh, what’s the matter with you two ? Do you always have to talk about killing people?

HERB
We’re not talking about killing people.

JOSEPH
Herb’s talking about killing me, and I’m talking about killing him.

ANN
It’s your father’s way of relaxing.

CHARLIE
Can’t he find some other way to relax? Can’t we have a little peace and quiet without dragging in poisons all the time?

  1. The thick black smoke at Uncle Charlie’s arrivals is meant to be a bad portent. He uses this a lot. ↩︎

The Nest (2020) IMDb A-

Watched with LD. Reminded me of “Hereditary” (it’s a slow burn) but with The Evil being this chimera of financial insolvency, really bad trust issues, childhood trauma, and severe affluenza. Jude Law was perfect, but Carrie Coon was so fucking good as the beleagured yet passively complicit partner and mostly grieving person. The scene shot from the stable facing the manor was genius. Sean Durkin (writer and director) stuck the landing perfectly. Lovely stuff.