When I was about 13 or so, I was blown away when I learned that ancient Greek and Roman statues used to be painted (paywalled; cached PDF) and were not commissioned to be ghostly-white. An all-time favorite is this Greek sculpture of a Persian archer.
I tremendously enjoy any recreations of color in the ancient world. I find it an absolutely lovely feeling to imagine what life must have been like back then. So when I found this mostly intact home from first century Pompeii, I was tickled pink 🥰
Simply astounding. I got those from Le Sireneuse Journal1. There’s a nice story of its discovery and a lot more detail on their site but the TL;DR is: Built around 1AD, belonged to a rich family (of course), was buried 36ft under a street for a while because of Vesuvius’ eruption, was discovered by a butcher who was digging out a cellar. Was looted.
I hope to visit one day 🤞
The website is pretty but swallows the scrollbar hijacks the browser’s scroll behaviour to add a maddening level of inertial scroll. It would be nice if people just did normal web things. ↩︎
These are fossilized crinoids found in Western Australia by Tom Kapitany. Crinoids are animals and belong to the phylum Eichinodermata which includes starfish and sea urchins (and they all have “pentameral symmetry”). This is all well and good but these things, in their fossilized state, look like so much like the sentinels from The Matrix I wonder if there was any inspiration here.
I can stare at photographs of the Nefertiti Bust all day. It’s just so alive. It was carved out of limestone and covered in stucco/plaster. The eyes were made out of quartz and affixed with beeswax. Just so beautiful. Wikipedia has a 3D model you can look at.
This is Zephyr, a “captive-born gray wolf” at the Wolf Conservation Center in NY. Below, you can hear him and his friends orchestrate some of the most beautiful sounds you will hear today. I’ve watched this five times and it was somehow even better with my eyes closed.
Here’s the Wolf Conservation Center’s YouTube channel for more music. Fuck I love wolves ♥️🐺
Summary of Wikipedia article: Japanese kimono didn’t have pockets. They needed something to store their stuff in. So they made containers that they hung from their kimonos’ sashes1. The part that secured the container to the sash at the top was called a netsuke (“root attached”.)
Here’s a really cute one of a sleeping cat from the 19th century 😻
The terrifying goddess Kali, wearing a necklace of skulls and holding a severed head in one of her hands, is worshiped here by other gods. From the left, we see Indra, Brahma (the creator), Vishnu (the preserver), and Shiva (the destroyer). Kali is associated with violence and sexuality; she stands for the forces of destruction, but she is also a life-giver. Her posture is that of a woman giving birth.
The Steller’s sea eagle is one of the world’s rarest eagles. There are only around 4,000 left. It’s native to Russia and Japan. One was spotted in Maine and got bird watchers very excited.
“It would be like an elephant walking up out of Africa into Scandinavia,” Mr. Lund said. “Like getting a call that the Rolling Stones are playing in a field behind a warehouse in the next town over.”
Dr. Lees said vagrancy, as a biological mechanism, could help migratory birds expand their ranges, a potential advantage as global warming redraws the contours of suitable habitat. Dr. Farnsworth said, conversely, extreme weather — which is anticipated to grow in frequency and intensity as climate change progresses — can also play a role in displacing birds by hundreds or even thousands of miles.
What’s next for the lone, pioneering Steller’s sea eagle? It could migrate along with native bald eagles down the coastline. It could find its way back to northeastern Asia. It could stick around Nova Scotia, as it is well adapted to the cold and seems able to survive there. It could die, out of range of its original flock.
“It’s like an avian soap opera,” Dr. Lees said. “We’re all rooting for it. Will it make it home? Or is it doomed to never see another species of its own in its lifetime?”
“Fear can be a funny thing; it doesn’t always shine a flattering light. It can make us forget that others are scared too.”
The author tells a short and lovely story about the pandemic, isolation, hope, the value of community, nature, and so many other things for such a short book. It is told through the experience of his grandpa (and his grandpa’s doggy). It made me think of my own grandmother and how (a) we are not meant to be alone and (b) how loneliness is especially devastating for older people.
Really loved his drawing/art style as well. Lovely stuff 💗
The Chess Sets used at the World Chess Championships cost $350 (plus $700 if you want the electronic piece tracking), are likely out of stock if you’d like one, take a lot of training and practice to make, are woodworked in Amritsar, India, and were designed by Daniel Weil, a former partner at Pentagram.
About half the set’s value lies with the most difficult piece to make: the Knight ♘
I can die, they can do my picture. I have 84 years, but I am still creating. All my life I create, and is more and more and more.
The mind is like a universe. It’s constantly expanding. Like the universe, exactly like the universe, open the mind. The opening of the mind is every day, is open. That was this picture. Open the mind of all the persons who worked there. From the producer to the artists. From the workers… for every one was an opening of the mind, this work.
Was ambitious, but not too ambitious. Myself, I have the ambition to live 300 years. I will not live 300 years. Maybe I will live one year more. But I have the ambition. Why you will not have ambition? Why? Have the greatest ambition possible. You want to be immortal? Fight to be immortal. Do it. You want to make the most fantastic art of movie? Try. If you fail, is not important. We need to try.
Watched with LD. What an incredible story. His vision would’ve strayed a bit far from the book but what a wonderful thing it would’ve been to experience.
I am going to read The Incal posthaste. It’s a set of highly regarded graphic novels by Jodorowsky and Moebius. I’m told it’s a heavily copied work too. Lovely stuff. Never give up.
This beautiful piece was sculpted in Japan around the 13th century and is about three feet tall. The subject is a Zen Buddhist monk Shinchi Kakushin, who lived till the ripe old age of 95. After his death, he was given the title “perfectly awakened national teacher of the Dharma lamp” which is what “Hotto Enmyo Kokushi” means.
>>> n =0>>>print"%d item%s"%(n,"s"[n==1:])0 items
>>> n =1>>>print"%d item%s"%(n,"s"[n==1:])1 item
>>> n =2>>>print"%d item%s"%(n,"s"[n==1:])2 items
# If you might want to print negative items, add abs to the test:>>> n =-1>>>print"%d item%s"%(n,"s"[abs(n)==1:])2 items
# If a word has irregular plural morphology, use a list:>>> n=1>>>print"%d %s"%(n,['abacus','abaci'][n!=1])1 abacus
>>> n=2>>>print"%d %s"%(n,['abacus','abaci'][n!=1])2 abaci
In college, I remember being blown away by a huge, physical map of metabolic pathways our Biochemistry professor once brought into class. It looked like this:
Here it is online. Kinda like a Google Maps of cellular reactions. It was impressed upon us that the interior of a cell (especially a eukaryotic one) is a really, really busy and tight and ‘goopy’ place: “crowded, compartmentalized, sticky, spatially inhomogeneous”. As that paper notes, this messy, “macromolecular crowding” helps your proteins fold properly (among several other factors.) This was a bit hard for me to appreciate since, up to then, I was only accustomed to images of cells from a light microscope or vastly simplified illustrations school texts.
I was somehow reminded of all of that after seeing some astounding paintings by Professor David S. Goodsell (Wiki, Twitter, Website). He calls the series “Molecular Landscapes.” Here are a few related to the pandemic we’ve been through.
SARS-CoV-2 and Neutralizing Antibodies, 2020
Acknowledgement: David S. Goodsell, RCSB Protein Data Bank and Springer Nature; doi: 10.2210/rcsb_pdb/goodsell-gallery-025. The painting was commissioned for the cover of a special COVID-19 issue of Nature, presented 20 August 2020, and is currently in the collection of the Cultural Programs of the National Academy of Sciences.
(Unknown Title)
Acknowledgement: Illustration by David S. Goodsell
Coronavirus, 2020
Acknowledgement: Illustration by David S. Goodsell, RCSB Protein Data Bank; doi: 10.2210/rcsb_pdb/goodsell-gallery-019. This painting depicts a coronavirus just entering the lungs, surrounded by mucus secreted by respiratory cells, secreted antibodies, and several small immune systems proteins. The virus is enclosed by a membrane that includes the S (spike) protein, which will mediate attachment and entry into cells, M (membrane) protein, which is involved in organization of the nucleoprotein inside, and E (envelope) protein, which is a membrane channel involved in budding of the virus and may be incorporated into the virion during that process. The nucleoprotein inside includes many copies of the N (nucleocapsid) protein bound to the genomic RNA.
SARS-CoV-2 Fusion, 2020
Acknowledgement: Illustration by David S. Goodsell, RCSB Protein Data Bank; doi: 10.2210/rcsb_pdb/goodsell-gallery-026. This painting depicts the fusion of SARS-CoV-2 (magenta) with an endosomal membrane (green), releasing the viral RNA genome into the cell cytoplasm (blue), where it is beginning to be translated by cellular ribosomes to create viral polyproteins. The painting includes speculative elements that are designed to highlight the process, most notably, multiple states of the viral spike protein are shown.
SARS-CoV-2 mRNA Vaccine, 2020
Acknowledgement: Illustration by David S. Goodsell, RCSB Protein Data Bank; doi: 10.2210/rcsb_pdb/goodsell-gallery-027. Messenger RNA (mRNA) vaccines developed for the COVID-19 pandemic are composed of long strands of RNA (magenta) that encode the SARS-CoV-2 spike surface glycoprotein enclosed in lipids (blue) that deliver the RNA into cells. Several different types of lipids are used, including familar lipids, cholesterol, ionizable lipids that interact with RNA, and lipids connected to polyethylene glycol chains (green) that help shield the vaccine from the immune system, lengthening its lifetime following administration. In this idealized illustration, all of the lipids are arranged in a simple circular bilayer that surrounds the mRNA and the PEG strands have both extended and folded conformations. In reality, the structure may be less regular, as suggested in the NanoLetters paper […]
Also known as Pesquet’s parrot or the vulturine parrot.
The Dracula parrot is a large, heavy bird, stretching to almost half a metre from beak to tail and weighing in at almost a kilogram. It maintains all that bulk by feeding almost exclusively on figs, which researchers suspect is why it ended up with its strange semi-bald head.
Just as vultures lost the feathers on their head as an adaptation for feeding on bloody carcasses, it’s thought that the Dracula parrot did the same in response to its diet of sticky fruits – the lack of feathers around its beak and eyes mean it’s able to avoid turning its face into a matted mess.
It’s such a perfect solution to the parrot’s syrupy diet that Matt Cameron, an Australian parrot expert, asks, “If avoiding soiled and matted head feathers is a significant advantage to individuals, it is surprising that bald-headedness is not more widespread among the other fruit-eating parrots.”
A devoted dog has spent days waiting outside a hospital in Turkey where her sick owner was being treated.
The pet, Boncuk, which means bead, followed the ambulance that transported her owner, Cemal Senturk, to hospital in the Black Sea city of Trabzon on 14 January. She then made daily visits to the facility, the private news agency DHA reported.
Senturk’s daughter, Aynur Egeli, said she would take Boncuk home but the dog would run back to the hospital.
A hospital security guard, Muhammet Akdeniz, told DHA: “She comes every day around 9am and waits until nightfall. She doesn’t go in.
“When the door opens she pokes her head inside.”
On Wednesday, Boncuk was finally reunited with Senturk when he was pushed outside in a wheelchair. “She’s very used to me. And I miss her too, constantly,” he told DHA.
Senturk was discharged from the hospital on Wednesday and returned home with Boncuk.
Three passions, simple but overwhelmingly strong, have governed my life: the longing for love, the search for knowledge, and unbearable pity for the suffering of mankind. These passions, like great winds, have blown me hither and thither, in a wayward course, over a great ocean of anguish, reaching to the very verge of despair.
I have sought love, first, because it brings ecstasy - ecstasy so great that I would often have sacrificed all the rest of life for a few hours of this joy. I have sought it, next, because it relieves loneliness–that terrible loneliness in which one shivering consciousness looks over the rim of the world into the cold unfathomable lifeless abyss. I have sought it finally, because in the union of love I have seen, in a mystic miniature, the prefiguring vision of the heaven that saints and poets have imagined. This is what I sought, and though it might seem too good for human life, this is what–at last–I have found.
With equal passion I have sought knowledge. I have wished to understand the hearts of men. I have wished to know why the stars shine. And I have tried to apprehend the Pythagorean power by which number holds sway above the flux. A little of this, but not much, I have achieved.
Love and knowledge, so far as they were possible, led upward toward the heavens. But always pity brought me back to earth. Echoes of cries of pain reverberate in my heart. Children in famine, victims tortured by oppressors, helpless old people a burden to their sons, and the whole world of loneliness, poverty, and pain make a mockery of what human life should be. I long to alleviate this evil, but I cannot, and I too suffer.
This has been my life. I have found it worth living, and would gladly live it again if the chance were offered me.
Sánchez infuses his landscape scenes with what the Cuban art critic, Geraldo Mosquera, called “an almost metaphys- ical vision.” This is not surprising considering that Sánchez is ardently devoted to yoga and to meditation which he practices several hours daily. He also goes regularly to a Siddha Yoga retreat in upstate New York. One French critic wrote at the time of the artist’s show in Paris that Sánchez’ work is “a mixture of extreme precision and meditation, of yearning and radiance.”
You could almost just narrate the body changes and narrate the dream. So here she’s asleep. She sees a crab and her color starts to change a little bit then she turns all dark. Octopuses will do that when they leave the bottom. This is a camouflage like she’s just subdued a crab and now she’s going to sit there and eat it and she doesn’t want anyone to notice her. It’s a very unusual behavior to see the color come and go on her mantle like that. I mean, just to be able to see all the different color patterns just flashing one after another… you don’t usually see that when an animal’s sleeping which really is fascinating.
Would love to find out what kind of protective gear the photographer had on. But it seems like the octopuses are very shy and will attack only when provoked, which is when their rings become more intense 🐙 The salivary venom1, synthesized by bacteria and not the octopus itself, doesn’t have an antidote and is only used to hunt and defend. It’s either injected via the beak, or is sprayed as a mist, paralysing the prey in either case for the final kill (presumably involving more beak.)
Here’s a little more. Love the intro. They truly are so alien and so, so beautiful 😍
Always have to look it up: Poison is passive, venom is active. ↩︎
When I was little — and by the way, I was little once — my father told me a story about an 18th century watchmaker. And what this guy had done: he used to produce these fabulously beautiful watches.
And one day, one of his customers came into his workshop and asked him to clean the watch that he’d bought. And the guy took it apart, and one of the things he pulled out was one of the balance wheels. And as he did so, his customer noticed that on the back side of the balance wheel was an engraving, were words.
And he said to the guy, “Why have you put stuff on the back that no one will ever see?” And the watchmaker turned around and said, “God can see it.”
Now I’m not in the least bit religious, neither was my father, but at that point, I noticed something happening here. I felt something in this plexus of blood vessels and nerves, and there must be some muscles in there as well somewhere, I guess. But I felt something. And it was a physiological response. And from that point on, from my age at the time, I began to think of things in a different way. And as I took on my career as a designer, I began to ask myself the simple question: Do we actually think beauty, or do we feel it?
I want it to be as beautiful as possible, even if it’s inside the box. A great carpenter isn’t going to use lousy wood for the back of a cabinet, even though nobody’s going to see it. When you’re a carpenter making a beautiful chest of drawers, you’re not going to use a piece of plywood on the back, even though it faces the wall and nobody will ever see it. You’ll know it’s there, so you’re going to use a beautiful piece of wood on the back. For you to sleep well at night, the aesthetic, the quality, has to be carried all the way through.
Do quite a bit more, good and invisible things, than required for the MVP or for the bloody “sprint.” You will then smile a lot and sleep quite well indeed. Excellence is a habit. It is yours. Nobody steals this from you.
