In many cases, you’re staring at the face of someone who lived centuries ago. That was their hair, their nose, their eye-lashes, their sleep. Very few things are more fascinating than this.
A God descends into Hell to slay its demons on a whim. Squint hard enough and you might even find some compassion in his caprice and ruthlessness. Just a beautiful movie.
She addresses graduate/PhD students struggling to complete their theses but there’s quite a bit to learn here. She considers procrastination as a perfectly logical response: why wouldn’t one seek pleasure? It’s something that (a) reveals a lot about what you’re afraid of and (b) is hence a protection response.
Other notes, thoughts, etc:
“B’s get degrees.” Don’t pursue perfectionism. Done is better. Don’t let Perfect be the enemy of the Good. Don’t get Good be the enemy of the Necessary. “Better a diamond with a flaw than a pebble without.” You’ll be OK. Finish it.
The environment you do your work in and your work ritual are very, very important. Set a time and place every day to what needs to be done. Diminish distractions as much as possible1.
Set your phone in distraction-free mode and place it on the floor, face down. Allow only a few people to break its silence in case of emergencies. Establish working hours with them and everyone else (i.e., not everything is an emergency.) Guard your time fiercely.
Chunk the job/project into as many atomic tasks as possible. Do the smallest task. Celebrate its completion (briefly) and be kind to yourself. Rinse and repeat. Seek momentum.
Procrastination ultimately is about the past or the future. Try not to think of the end result. You are here right now to finish a paragraph, write a bit of code, read that paper. Be here now.
Assume responsibility. Stop whinging.
Over the past year, I’ve been amazed by how much mindfulness comes up with almost every conversation I have (or book I read or podcast I listen to) about self improvement and Joy in Life.
Update
Was reading an article on the efficacy of todo lists and lo!
Something about the future defeats our imaginative capacity. “Present self screws over future self,” says Tim Pychyl, a psychologist at Carleton University who studies procrastination. He says that we regard our future self as a stranger, someone onto whose lap we can dump tons of work. On some weird level, we don’t get that it’ll be us doing it.
One of Pychyl’s students recently tried a clever experimental trick to get people to procrastinate less. The student took undergraduates through a guided meditation exercise in which they envisioned themselves at the end of the term—meeting that future self. “Lo and behold,” Pychyl says, those people “developed more empathy for their future self, and that was related to a decrease in procrastination.” They realized that time wasn’t infinite. Future them was no longer a stranger but someone to be protected. To get us off our butts, it seems, we need to grapple with the finite nature of our time on Earth.
I used to have a printout of this at my desk at work because I just loved looking at it so much 🌸♥️ It was pretty popular on the internet a while ago. The little girl’s name is Butedmaa and she was just 5 when this picture was taken in 2003 by photographer Han Chengli, who titled it “Inner Mongolian Child”. Here’s another of her with her family in 2014.
I can die, they can do my picture. I have 84 years, but I am still creating. All my life I create, and is more and more and more.
The mind is like a universe. It’s constantly expanding. Like the universe, exactly like the universe, open the mind. The opening of the mind is every day, is open. That was this picture. Open the mind of all the persons who worked there. From the producer to the artists. From the workers… for every one was an opening of the mind, this work.
Was ambitious, but not too ambitious. Myself, I have the ambition to live 300 years. I will not live 300 years. Maybe I will live one year more. But I have the ambition. Why you will not have ambition? Why? Have the greatest ambition possible. You want to be immortal? Fight to be immortal. Do it. You want to make the most fantastic art of movie? Try. If you fail, is not important. We need to try.
Watched with LD. What an incredible story. His vision would’ve strayed a bit far from the book but what a wonderful thing it would’ve been to experience.
I am going to read The Incal posthaste. It’s a set of highly regarded graphic novels by Jodorowsky and Moebius. I’m told it’s a heavily copied work too. Lovely stuff. Never give up.
This beautiful piece was sculpted in Japan around the 13th century and is about three feet tall. The subject is a Zen Buddhist monk Shinchi Kakushin, who lived till the ripe old age of 95. After his death, he was given the title “perfectly awakened national teacher of the Dharma lamp” which is what “Hotto Enmyo Kokushi” means.
In college, I remember being blown away by a huge, physical map of metabolic pathways our Biochemistry professor once brought into class. It looked like this:
Here it is online. Kinda like a Google Maps of cellular reactions. It was impressed upon us that the interior of a cell (especially a eukaryotic one) is a really, really busy and tight and ‘goopy’ place: “crowded, compartmentalized, sticky, spatially inhomogeneous”. As that paper notes, this messy, “macromolecular crowding” helps your proteins fold properly (among several other factors.) This was a bit hard for me to appreciate since, up to then, I was only accustomed to images of cells from a light microscope or vastly simplified illustrations school texts.
I was somehow reminded of all of that after seeing some astounding paintings by Professor David S. Goodsell (Wiki, Twitter, Website). He calls the series “Molecular Landscapes.” Here are a few related to the pandemic we’ve been through.
SARS-CoV-2 and Neutralizing Antibodies, 2020
Acknowledgement: David S. Goodsell, RCSB Protein Data Bank and Springer Nature; doi: 10.2210/rcsb_pdb/goodsell-gallery-025. The painting was commissioned for the cover of a special COVID-19 issue of Nature, presented 20 August 2020, and is currently in the collection of the Cultural Programs of the National Academy of Sciences.
(Unknown Title)
Acknowledgement: Illustration by David S. Goodsell
Coronavirus, 2020
Acknowledgement: Illustration by David S. Goodsell, RCSB Protein Data Bank; doi: 10.2210/rcsb_pdb/goodsell-gallery-019. This painting depicts a coronavirus just entering the lungs, surrounded by mucus secreted by respiratory cells, secreted antibodies, and several small immune systems proteins. The virus is enclosed by a membrane that includes the S (spike) protein, which will mediate attachment and entry into cells, M (membrane) protein, which is involved in organization of the nucleoprotein inside, and E (envelope) protein, which is a membrane channel involved in budding of the virus and may be incorporated into the virion during that process. The nucleoprotein inside includes many copies of the N (nucleocapsid) protein bound to the genomic RNA.
SARS-CoV-2 Fusion, 2020
Acknowledgement: Illustration by David S. Goodsell, RCSB Protein Data Bank; doi: 10.2210/rcsb_pdb/goodsell-gallery-026. This painting depicts the fusion of SARS-CoV-2 (magenta) with an endosomal membrane (green), releasing the viral RNA genome into the cell cytoplasm (blue), where it is beginning to be translated by cellular ribosomes to create viral polyproteins. The painting includes speculative elements that are designed to highlight the process, most notably, multiple states of the viral spike protein are shown.
SARS-CoV-2 mRNA Vaccine, 2020
Acknowledgement: Illustration by David S. Goodsell, RCSB Protein Data Bank; doi: 10.2210/rcsb_pdb/goodsell-gallery-027. Messenger RNA (mRNA) vaccines developed for the COVID-19 pandemic are composed of long strands of RNA (magenta) that encode the SARS-CoV-2 spike surface glycoprotein enclosed in lipids (blue) that deliver the RNA into cells. Several different types of lipids are used, including familar lipids, cholesterol, ionizable lipids that interact with RNA, and lipids connected to polyethylene glycol chains (green) that help shield the vaccine from the immune system, lengthening its lifetime following administration. In this idealized illustration, all of the lipids are arranged in a simple circular bilayer that surrounds the mRNA and the PEG strands have both extended and folded conformations. In reality, the structure may be less regular, as suggested in the NanoLetters paper […]
I read this story a long while ago and have been searching for it since. I have related increasingly exaggerated variants of it from memory every few years to friends who laugh nervously when I lose my damn mind to the “She just went home I guess” part.
To me, few things are funnier than stories of the wittingly incompetent and their inadvertent courage in this boring, rigged dystopia we live in.
Two absolutely mesmerizing videos by Universal Everything. I could watch them for hours and might just loop them on the old iPad. This one’s called “Walking City”
Here’s another called “Transfiguration” 🙌
Here’s a third video (not by Universal Everything.) It’s from 2016.
I finish just by saying this: war is an easy thing to talk about; there are not many people - a - of the generation that remember it. The right hon. Member for Old Bexley and Sidcup served with distinction in the last war. I never killed anyone but I wore uniform. But I was in London in the blitz in 1940, living in the Millbank tower, where I was born. Some different ideas have come in since. And every night, I went down to the shelter in Thames house. Every morning, I saw dockland burning. Five hundred people were killed in Westminster one night by a land mine. It was terrifying. Aren’t Arabs terrified? Aren’t Iraqis terrified? Don’t Arab and Iraqi women weep when their children die? Does bombing strengthen their determination? What fools we are to live in a generation for which war is a computer game for our children and just an interesting little channel for news item.
Every Member of Parliament tonight who votes for the Government motion will be consciously and deliberately accepting responsibility for the deaths of innocent people if the war begins, as I fear it will. Now that’s for their decision to take. But this is a quite unique debate. In my parliamentary experience, where we are asked to share responsibility for a decision we won’t really be taking, with consequences for people who have no part to play in the brutality of the regime which we are dealing with.
And I finish with this: on 24 October 1945—the right hon. Member for Old Bexley and Sidcup will remember—the United Nations charter was passed. And the words of that charter are etched into my mind and move me even as I think of them. “We the peoples of the United Nations determined to save succeeding generations from the scourge of war, which twice in our life-time has caused untold suffering to mankind”. That was the pledge of that generation to this generation, and it would be the greatest betrayal of all if we voted to abandon the charter, and take unilateral action and pretend that we were doing it in the name of the international community. And I shall vote against the motion for the reasons that I have given the house.
Watched with LD. Kate Winslet is an amazing actor and this miniseries is her best work yet. It is excellent everything: story, score, cinematography, dialogue, casting, acting. About economic depression, blue-collar America, forgotten America, the opioid epidemic caused by unchecked Capitalist greed, community, family, single parenthood, decline in religious participation, and the country’s abysmal attitude towards the treatment of mental illness.
That’s a lot of layers and facets and it’s all done exquisitely, gut-wrenchingly well.
I was rather dismayed to find out that there were no more episodes of “Grill Talk” with the leader of one of the worst companies on the planet1. I wonder if the PR team that thought it was a good idea to show the ‘casual and human’ side of their ethically bankrupt CEO are still with the company.
Here’s a condensed version by umami. It is one of my favorite creepy things on the internet ♥️
Disclaimer: I’m on Instagram, have an Oculus, and cannot get my family off WhatsApp. I console myself by noting that I’m never on Facebook itself and that all these companies were acquisitions whose souls haven’t been polluted by Facebook (yet… and as if that matters because it doesn’t.) ↩︎
Neil Panchal on substituting shitty, ineffective, and expensive consumer-grade items with their industrial and military grade equivalents. Emphases mine:
The average consumer is an idiot, so the bean counters keep milking them. Let’s stick RGB lights in what used to be the BMW, you know the ultimate driving machine. The entire consumer market is rotten. TV? It’s going to come with smart apps. Get one from NEC that’s meant for commercial use.
The average consumer wants this stuff. It sells. They want pizzaz over functionality and durability. They want shiny stuff in a bigger box.
The Onion is reality. I don’t think corporations/businesses are to blame. We’re not voting with our wallets and instead regressing into buying more fricking touch screens. The average consumer is extremely ill-informed, sometimes that’s due to the lack of time, but more often than not, it’s due diligence.
The industrial, military and commercial market doesn’t mess around. They want to purchase equipment that works reliably and performs to a specification. It’s professional and their livelihood depends on it. It sort of self filters the entire market. Shitty things drop off the radar due to poor sales.
While I don’t think I’d serve guests beer in “ASTM Specification E960, Type II”-compliant beakers1, I will certainly try out things like this cleaner, for example.
For I wouldn’t have any friends left if I did that. ↩︎
This is one of the most seriously badass representations of Shakti I’ve seen in a while.
The goddess is shown seated on obsessed boy (Corpse or Preta). The corpse is placed on a pedestal. The deity has a skeletal body, veins can be seen clearly. Its face is ferocious and wrathful; eyes are popping out with open mouth and frown on face. This may be influenced by the concept of Yogeshvari as third eye shown prominently over the forehead. The hair stands are erected (urdhvakesha) which look like fire flames (jvalakesha) (Rao 1989). The hairs are tied firmly with a snake and skull. On the right side of headgear a small hand in abhayamudra is depicted; same feature can be seen on left but it is an eroded condition. The goddess is wearing a skull garland, mundamala consist of 44 skulls and sarpakundalas in ears. A snake encircling around the neck. The deity is shown wearing a bajubandh made by the design of snake, Same ornaments are replicated at wrist and ankle. It is an artistic excellence where snake is shown holding its own tail in mouth which has formed a beautiful circle. The deity is shown wearing ornate mekhala. The parikara of the image is ornate depicting the elephant skin in low relief. The representations of pair of owls carrying garland is shown on portion of elephant’s ear on a left side. The depiction of peacock, bell and conch shell can be observed on a right side. The depiction of devotee is seen beside the right foot of the deity. The devotee is shown sitting in vajrasana has a prominent headgear with circular karnakundalas. It is holding a sword in its right arm shown wearing an ornate bajubandha and keyur. The devotee is in namaskarmudra, head is shown slightly raised upwards watching a divine appearance of the goddess. The five jackals are shown fetching flesh from corpse which is beneath of the deity. The small female attendant (11.5 cm) of the goddess is shown on a left side of the pedestal below the left foot of the corpse. This female attendance replicates the main goddess shown in skeletal form holding dagger and kapala in right and left hand respectively.
Reddit user and evident Mark Wood fan @kanyay-west put together this list of England’s All-Time Cricketing Best when asked “What’s your country’s all time ODI XI?” I’ve reproduced it here and formatted it for clarity. I laughed a lot to this and am a rather silly person 🙏♥️
Whenever I get discouraged and want to quit something, I remember the words of my then 3 year-old after she puked carrots all over the living room floor: “I’m gonna need more carrots.”
There’s a difference between doing things right and doing the right thing. Doing the right thing is wisdom, and effectiveness. Doing things right is efficiency. The curious thing is the righter you do the wrong thing the wronger you become. If you’re doing the wrong thing and you make a mistake and correct it you become wronger. So it’s better to do the right thing wrong than the wrong thing right. Almost every major social problem that confronts us today is a consequence of trying to do the wrong things righter.
Though capitalism has had a longer lease of life than some of us would’ve predicted or that many of our ancestors of the socialist movement did predict or allow, it still produces the fax machine and the microchip and still able to lower its costs and still able to flatten its distribution curve very well. It’s central contradiction remains the same; It produces publicly, it produces socially, it conscripts and it mobilizes and educates whole new work forces of people, it has an enormous transforming liberating effect in that respect but it appropriates privately. The resources and the natural abilities are held in common, the earth belongs to us all. You can’t buy your child a place at a school with better ozone. You can’t pretend that the world is other than what it is which is one and human and natural and in common. Though capitalism must do that because it must make us all work until the point when the social product is to be shared. When suddenly the appropriation is private and suddenly Donald Trump outvotes any congressman you can name and anyone with a vote because of the ownership of capital and its that effect, that annexation of what we all do and must do — the influence of labor and intelligence and creativity on nature; the same air, the same water that we must breathe and drink. That means that we may not have long in which to make this critique of the system sing again and relevant again and incisive again.
Christopher Hitchens, Is Socialism Obsolete? (Recorded in Washington DC on October 11, 1989)
Somoza called himself “president”. The Sandinistas called him a “dictator”. They called themselves “freedom fighters”. He called them “Commie terrorists”. So they kicked him out then they were in charge. Ronald Reagan called them “Commie oppressors” and he sent in the Contras, whom he called “freedom fighters” and they called “mercenary terrorists.”
So basically, what you’re called depends largely on who’s doing the talking because hypocrisy is the vaseline of political intercourse. They didn’t like what they saw, so they changed it to make it sound better. Just like in these personal ads. It sounds great; but it’s all lies.
Was discussing water quality in Des Moines with DL. Told her that our city couldn’t hold a candle to Ames, that their water was the “cleanest around.” Wanted to prove this but couldn’t find the 2014 viral hit “Hooray for Ames” video anywhere on the internet. GN, blessed datahoarder that he is, luckily had a copy ❤️🚰
It is remarkable that mind enters into our awareness of nature on two separate levels. At the highest level, the level of human consciousness, our minds are somehow directly aware of the complicated flow of electrical and chemical patterns in our brains. At the lowest level, the level of single atoms and electrons, the mind of an observer is again involved in the description of events. Between lies the level of molecular biology, where mechanical models are adequate and mind appears to be irrelevant. But I, as a physicist, cannot help suspecting that there is a logical connection between the two ways in which mind appears in my universe. I cannot help thinking that our awareness of our own brains has something to do with the process which we call ‘observation’ in atomic physics. That is to say, I think our consciousness is not just a passive epiphenomenon carried along by the chemical events in our brains, but is an active agent forcing the molecular complexes to make choices between one quantum state and another. In other words, mind is already inherent in every electron, and the processes of human consciousness differ only in degree but not in kind from the processes of choice between quantum states which we call ‘chance’ when they are made by electrons.
A devoted dog has spent days waiting outside a hospital in Turkey where her sick owner was being treated.
The pet, Boncuk, which means bead, followed the ambulance that transported her owner, Cemal Senturk, to hospital in the Black Sea city of Trabzon on 14 January. She then made daily visits to the facility, the private news agency DHA reported.
Senturk’s daughter, Aynur Egeli, said she would take Boncuk home but the dog would run back to the hospital.
A hospital security guard, Muhammet Akdeniz, told DHA: “She comes every day around 9am and waits until nightfall. She doesn’t go in.
“When the door opens she pokes her head inside.”
On Wednesday, Boncuk was finally reunited with Senturk when he was pushed outside in a wheelchair. “She’s very used to me. And I miss her too, constantly,” he told DHA.
Senturk was discharged from the hospital on Wednesday and returned home with Boncuk.
Here’s to a Malarkey-Free America 🇺🇸🍦😎 Things won’t magically start getting better. He isn’t perfect. But he certainly is a decent human being, if only because he isn’t malevolent narcissism incarnate.
And unless your career depends on democratic dysfunction and systemic ineptitude, cruelty, and dishonesty that sow and sustain rancour1, you at least ought to be relieved you won’t have to say “God what the fuck did he do now?” with the exhausting and dismaying frequency you did over the past four (THOUSAND) years. That’s something.
🙏♥️🇺🇸
Special 📣 to some #techbros and their engagement targets 💸 ↩︎
Bernie’s mittens are made by Jen Ellis, a teacher from Essex Junction, Vt. She gave them to him 2+ years ago and was surprised when he began wearing them on the campaign trail. They are made from repurposed wool sweaters and lined with fleece made from recycled plastic bottles.
Jen Ellis, a teacher from Essex Junction, made the mittens and gave them to Sanders. She used repurposed wool from sweaters and lined them with fleece. She generally sells mittens at craft fairs or gives them to friends. Sanders’ daughter-in-law, Liza Driscoll, runs Ellis’ daughter’s daycare, so one holiday season, Ellis made mittens for all the teachers — plus Bernie.
“I just put in a little note that was like, ‘I believe in you, I’ve always believed in you and I hope you run again,’” Ellis said. “And now he is running again, and he apparently is wearing the mittens that I made for him!”
Three passions, simple but overwhelmingly strong, have governed my life: the longing for love, the search for knowledge, and unbearable pity for the suffering of mankind. These passions, like great winds, have blown me hither and thither, in a wayward course, over a great ocean of anguish, reaching to the very verge of despair.
I have sought love, first, because it brings ecstasy - ecstasy so great that I would often have sacrificed all the rest of life for a few hours of this joy. I have sought it, next, because it relieves loneliness–that terrible loneliness in which one shivering consciousness looks over the rim of the world into the cold unfathomable lifeless abyss. I have sought it finally, because in the union of love I have seen, in a mystic miniature, the prefiguring vision of the heaven that saints and poets have imagined. This is what I sought, and though it might seem too good for human life, this is what–at last–I have found.
With equal passion I have sought knowledge. I have wished to understand the hearts of men. I have wished to know why the stars shine. And I have tried to apprehend the Pythagorean power by which number holds sway above the flux. A little of this, but not much, I have achieved.
Love and knowledge, so far as they were possible, led upward toward the heavens. But always pity brought me back to earth. Echoes of cries of pain reverberate in my heart. Children in famine, victims tortured by oppressors, helpless old people a burden to their sons, and the whole world of loneliness, poverty, and pain make a mockery of what human life should be. I long to alleviate this evil, but I cannot, and I too suffer.
This has been my life. I have found it worth living, and would gladly live it again if the chance were offered me.
I made a bet at work that involved me eating my Crocs (if I lost, of course), prompting my co-worker to send me this story about Eric Taylor, a “former Magic: The Gathering player and highly regarded Magic columnist, especially during the earlier days of the game” (MTG Wiki), who made a similarly hasty bet and honored its terms:
He went so far as to guarantee Kai couldn’t emerge victorious again, promising to eat his hat should he be proven wrong.
[…] By now a sizeable crowd had gathered to watch the spectacle. EDT began by biting into the rim, but couldn’t tear the material with his teeth. In a quick burst of speed, he reached into his bag, and pulled out a full bottle of Heinz Ketchup and a pair of scissors. Deftly slicing a swatch of material from the top of the hat, he masticated on the felt but found the taste to be offensive.
“This is terrible!”, he exclaimed, unleashing a destructive stream of ketchup all over the table and his headwear. He resumed devouring his hat, making chewing faces akin to Popeye the Sailor eating rotten spinach.
[…] Around the third mouthful, EDT began to wish he had a nacho hat. “This is terrible”, he screamed, banging his jaw against the table to force the hat down. This attracted the attention of Rob Dougherty, from the Boston. “You’re crazy!”, he admonished in the typical Your Move Games tone. Eric just shook his head, gritted his teeth, and said, “I have to do this.”
Lord of our lives and sovereign of our beloved nation, we deplore the desecration of the United States Capitol building, the shedding of innocent blood, the loss of life, and the quagmire of dysfunction that threaten our democracy.
These tragedies have reminded us that words matter and that the power of life and death is in the tongue. We have been warned that eternal vigilance continues to be freedom’s price.
Lord, you have helped us remember that we need to see in each other a common humanity that reflects your image.
You have strengthened our resolve to protect and defend the Constitution of the United States against all enemies domestic as well as foreign.
Use us to bring healing and unity to our hurting and divided nation and world. Thank you for what you have blessed our lawmakers to accomplish in spite of threats to liberty.
Bless and keep us. Drive far from us all wrong desires, incline our hearts to do your will and guide our feet on the path of peace. And God bless America. We pray in your sovereign name, amen.
Dr. Barry Black, Chaplain of the Senate, CBS News (emphases mine)
And please get off this gentleman’s lawn and out of his city.
This is such a wonderful idea. Stand opposite the glass and you’d know what Kruševac Fortress in Serbia looked like in its heyday:
Franklin Court in Pennsylvania is another example of how one could illustrate architectural history.
Franklin Court was the site of the handsome brick home of Benjamin Franklin, who lived here while serving in the Continental Congress and the Constitutional Convention. Franklin died here in 1790; the house was torn down 22 years later. Today the site contains a steel “ghost structure” outlining the spot where Franklin’s house stood and features the Benjamin Franklin Museum […]
I remember seeing an interview with him and the person asking him the question asked him “How was that shot perfectly timed?” He said “I just saw the count down clock and we waited until minus 10 seconds to start recording”.
And there was an assistant doing the count down with his fingers that Burke could se [sic] so Burke could time it perfectly.
I have a foreboding of an America in my children’s or grandchildren’s time – when the United States is a service and information economy; when nearly all the manufacturing industries have slipped away to other countries; when awesome technological powers are in the hands of a very few, and no one representing the public interest can even grasp the issues; when the people have lost the ability to set their own agendas or knowledgeably question those in authority; when, clutching our crystals and nervously consulting our horoscopes, our critical faculties in decline, unable to distinguish between what feels good and what’s true, we slide, almost without noticing, back into superstition and darkness…
The dumbing down of American is most evident in the slow decay of substantive content in the enormously influential media, the 30 second sound bites (now down to 10 seconds or less), lowest common denominator programming, credulous presentations on pseudoscience and superstition, but especially a kind of celebration of ignorance.
and
One of the saddest lessons of history is this: If we’ve been bamboozled long enough, we tend to reject any evidence of the bamboozle. We’re no longer interested in finding out the truth. The bamboozle has captured us. It’s simply too painful to acknowledge, even to ourselves, that we’ve been taken. Once you give a charlatan power over you, you almost never get it back.
Bas Uterwijk’s AI portraits1 look just like photo shots, but are largely generated by an algorithm. He uploads drawings and paintings, often images of people who lived before the invention of photography. With the help of a neural network he creates realistic interpretations that appear as if they were made in a photographic process.
Each work is a quest for the visual character of the person portrayed. By combining art-historical and archaeological elements, Uterwijk achieves a layered and fascinating result.
Corpsing is British theatrical slang for unintentionally laughing during a non-humorous performance or when a role in a humorous performance is intended to be played “straight”. In North American TV and film, this is considered a variation of breaking character or simply “breaking”.
One who makes douchebag statements, particularly sexist, racist or otherwise bigoted ones, then decides whether they were “just joking” or dead serious based on whether other people in the group approve or not.
Bilal Göregen (YouTube, Instagram) is the Turkish street musician in my favorite video of 2020.
He sounds like a very positive, gracious, and sweet human being on this KnowYourMeme interview1 which features this delightful nugget (emphasis mine):
Q: How has the response been from your previous fans and followers that were around before the meme? Also, have you received any interesting or wholesome messages from fans since your meme went viral that you can share with us?
A: When I read the comments section after my video went viral, I see that my Turkish followers still do not understand the meme, and they ask questions like, “Is the channel stolen? Why are there so many foreigners here? Where are the Turks?”
You could almost just narrate the body changes and narrate the dream. So here she’s asleep. She sees a crab and her color starts to change a little bit then she turns all dark. Octopuses will do that when they leave the bottom. This is a camouflage like she’s just subdued a crab and now she’s going to sit there and eat it and she doesn’t want anyone to notice her. It’s a very unusual behavior to see the color come and go on her mantle like that. I mean, just to be able to see all the different color patterns just flashing one after another… you don’t usually see that when an animal’s sleeping which really is fascinating.
Yes, at seventy years old and 143 pounds, Mister Rogers still fights, and indeed, early this year, when television handed him its highest honor, he responded by telling television—gently, of course—to just shut up for once, and television listened. He had already won his third Daytime Emmy, and now he went onstage to accept Emmy’s Lifetime Achievement Award, and there, in front of all the soap-opera stars and talk-show sinceratrons, in front of all the jutting man-tanned jaws and jutting saltwater bosoms, he made his small bow and said into the microphone, “All of us have special ones who have loved us into being. Would you just take, along with me, ten seconds to think of the people who have helped you become who you are….Ten seconds of silence.” And then he lifted his wrist, and looked at the audience, and looked at his watch, and said softly, “I’ll watch the time,” and there was, at first, a small whoop from the crowd, a giddy, strangled hiccup of laughter, as people realized that he wasn’t kidding, that Mister Rogers was not some convenient eunuch but rather a man, an authority figure who actually expected them to do what he asked…and so they did. One second, two seconds, three seconds…and now the jaws clenched, and the bosoms heaved, and the mascara ran, and the tears fell upon the beglittered gathering like rain leaking down a crystal chandelier, and Mister Rogers finally looked up from his watch and said[^another], “May God be with you” to all his vanquished children.
Cached. “Yes, at seventy years old and 143 pounds, Mister Rogers still fights, and indeed, early this year, when television handed him its highest honor, he responded by telling television—gently, of course—to just shut up for once, and television listened.” ↩︎
Saw this after about 18 years. Some assorted notes: Thought I heard “Boléro”. Every frame is a fucking painting. Just so wonderful: sunshine through the leaves and at the interrogation, characters walking into and out of the audience, the gate’s history and state of decay, and of course Tajomaru’s sword when he’s under the tree 🤣 No idea what his constant fly-swatting signified. Faces sometimes resembled those in Ukiyo-e paintings (like this one). Save for the hapless priest, every character is demon and human. Storytelling: tension between whether it is to be regarded a fable or a real account. ‘The lies we tell ourselves don’t matter as long as they’re in the service of mending and preserving our humanity.’ Professor David Thorburn breaks down the movie.
I lovethe movie and was surprised to find out that there was a graphic novel that preceded it. A work of original and breathtaking beauty like the movie and its soundtrack. Kent Williams’ style and vision took a bit to get used to. Wonderful stuff.
Aronofsky notes in the book that the movie almost didn’t happen due to budgetary concerns, and that he reworked it to make it a “lean, mean indie film.” I wonder if that explains the beautiful macrophotography they used for SFX.
On the developer side, what I hope people are doing is trying to make, not just good code, but these days we’ve been very good about having explanations for the code. So commit messages to me are almost as important as the code change itself. Sometimes the code change is so obvious that no message is really required, but that is very very rare. And so one of the things I hope developers are thinking about, the people who are actually writing code, is not just the code itself, but explaining why the code does something, and why some change was needed. Because that then in turn helps the managerial side of the equation, where if you can explain your code to me, I will trust the code.
A lot of open source in general is about communication. And part of it is the commit messages, part of it is just the email going back and forth. Communicating what you’re trying to do or communicating why something doesn’t work for you is really important.
by the incomparable Herb Ritts. Not the same Dracula, but seeing these made me think of one of my favorite things: “Horrible Tragedy” by Philip Glass and the Kronos Quartet for the 1931 movie.
On tech culture’s obsession with quantifying and optimizing every single moment of one’s existence1:
I hate this framing. It is pressuring, dehumanizing as it contextualizes human endeavor in transactional terms, usually in a market.
I know this goes against the ethos of high-tech, but humans don’t have an imperative to be as productive as possible. They don’t have to make the most use of their time. They don’t have to get as efficient as they could. These are metrics that work fine for our machines, our code. But humans are not machines. Sure, we shepherd the machines, and sure sometimes we are in rivalrous dynamics that increasing efficiency has a payoff, but it is never the goal in itself.
The real “currency” we have, if we are using the term in the sense of denoting essentialness, is our humanness, our mortality, our psyches, our connection with other people and seemingly mundane but meaningful parts of our lives. I mean, look how many of us started baking their breads and enjoying it. It is not a wise use of the “currency of time”, but it is part of life very well spent, as our internal reward mechanisms have been telling us.
With corroboration via sophomoric interpretations of stoicism and objectivism, all aimed at summoning this latent, dispassionate übermensch whose sole purpose is to “leverage” and deliver value. ↩︎
This is the "the oldest surviving complete musical composition, including musical notation, from anywhere in the world" and dates from “either from the 1st or the 2nd century AD.” It was found engraved on a tombstone and was “dedicated by Seikilos to Euterpe, who was possibly his wife.” (Wikipedia)
While you live, shine have no grief at all life exists only for a short while and Time demands his due
Finally saw this with PLG. Daniel Day-Lewis’ best performance IMO. Astounding, really.
Mr. Day-Lewis’s outsize performance, with its footnote references to Huston and strange, contorted Kabuki-like grimaces, occasionally breaks the skin of the film’s surface like a dangerous undertow. The actor seems to have invaded Plainview’s every atom, filling an otherwise empty vessel with so much rage and purpose you wait for him to blow. It’s a thrilling performance, among the greatest I’ve seen, purposefully alienating and brilliantly located at the juncture between cinematic realism and theatrical spectacle.
Paul Dano is great as an ageless vampire-pastor 😑 The excellent soundtrack was written by Jonny Greenwood (!) and features works by Arvo Pärt and Brahms.
Dependencies (coupling) is an important concern to address, but it’s only 1 of 4 criteria that I consider and it’s not the most important one. I try to optimize my code around reducing state, coupling, complexity and code, in that order.
I’m willing to add increased coupling if it makes my code more stateless.
I’m willing to make it more complex if it reduces coupling.
And I’m willing to duplicate code if it makes the code less complex.
Only if it doesn’t increase state, coupling or complexity do I dedup code.
The reason I put stateless code as the highest priority is it’s the easiest to reason about. Stateless logic functions the same whether run normally, in parallel or distributed. It’s the easiest to test, since it requires very little setup code. And it’s the easiest to scale up, since you just run another copy of it. Once you introduce state, your life gets significantly harder.
I think the reason that novice programmers optimize around code reduction is that it’s the easiest of the 4 to spot. The other 3 are much more subtle and subjective and so will require greater experience to spot. But learning those priorities, in that order, has made me a significantly better developer.
I first saw this when I was about 10 and tried my first jigsaw puzzle with my little sister. We were quite mesmerized by the painting. We found the puzzle too difficult and lost the pieces. 26 years later, I found a complete puzzle on eBay and can’t wait to put it together with her 😃
I thought using loops was cheating, so I programmed my own using samples. I then thought using samples was cheating, so I recorded real drums. I then thought that programming it was cheating, so I learned to play drums for real. I then thought using bought drums was cheating, so I learned to make my own. I then thought using premade skins was cheating, so I killed a goat and skinned it. I then thought that that was cheating too, so I grew my own goat from a baby goat. I also think that is cheating, but I’m not sure where to go from here. I haven’t made any music lately, what with the goat farming and all.
I’ve made this mistake all too often, especially when trying to learn something new.
Located southwest of Orion in the southern-hemisphere constellation Fornax, the rectangular image is 2.4 arcminutes to an edge, or 3.4 arcminutes diagonally. This is approximately one tenth of the angular diameter of a full moon viewed from Earth (which is less than 34 arcminutes), smaller than 1 sq. mm piece of paper held at 1 meter away, and equal to roughly one twenty-six-millionth of the total area of the sky. The image is oriented so that the upper left corner points toward north (−46.4°) on the celestial sphere.
There are over 100 billion galaxies in the universe. Simply saying that number doesn’t really mean much to us because it doesn’t provide any context. Our brains have no way to accurately put that in any meaningful perspective. When we look at this image, however, and think about the context of how it was made and really understand what it means, we instantly gain the perspective and cannot help, but be forever changed by it.
We pointed the most powerful telescope ever built by human beings at absolutely nothing for no other reason than because we were curious, and discovered that we occupy a very tiny place in the heavens.
I’d also like to point out that unlike every single horror I’ve ever witnessed when looking closer at SCM products, git actually has a simple design, with stable and reasonably well-documented data structures. In fact, I’m a huge proponent of designing your code around the data, rather than the other way around, and I think it’s one of the reasons git has been fairly successful
[. . .]
I will, in fact, claim that the difference between a bad programmer and a good one is whether he considers his code or his data structures more important. Bad programmers worry about the code. Good programmers worry about data structures and their relationships.
When I was little — and by the way, I was little once — my father told me a story about an 18th century watchmaker. And what this guy had done: he used to produce these fabulously beautiful watches.
And one day, one of his customers came into his workshop and asked him to clean the watch that he’d bought. And the guy took it apart, and one of the things he pulled out was one of the balance wheels. And as he did so, his customer noticed that on the back side of the balance wheel was an engraving, were words.
And he said to the guy, “Why have you put stuff on the back that no one will ever see?” And the watchmaker turned around and said, “God can see it.”
Now I’m not in the least bit religious, neither was my father, but at that point, I noticed something happening here. I felt something in this plexus of blood vessels and nerves, and there must be some muscles in there as well somewhere, I guess. But I felt something. And it was a physiological response. And from that point on, from my age at the time, I began to think of things in a different way. And as I took on my career as a designer, I began to ask myself the simple question: Do we actually think beauty, or do we feel it?
I want it to be as beautiful as possible, even if it’s inside the box. A great carpenter isn’t going to use lousy wood for the back of a cabinet, even though nobody’s going to see it. When you’re a carpenter making a beautiful chest of drawers, you’re not going to use a piece of plywood on the back, even though it faces the wall and nobody will ever see it. You’ll know it’s there, so you’re going to use a beautiful piece of wood on the back. For you to sleep well at night, the aesthetic, the quality, has to be carried all the way through.
Do quite a bit more, good and invisible things, than required for the MVP or for the bloody “sprint.” You will then smile a lot and sleep quite well indeed. Excellence is a habit. It is yours. Nobody steals this from you.
Three passions, simple but overwhelmingly strong, have governed my life: the longing for love, the search for knowledge, and unbearable pity for the suffering of mankind. These passions, like great winds, have blown me hither and thither, in a wayward course, over a great ocean of anguish, reaching to the very verge of despair.
I have sought love, first, because it brings ecstasy – ecstasy so great that I would often have sacrificed all the rest of life for a few hours of this joy. I have sought it, next, because it relieves loneliness – that terrible loneliness in which one shivering consciousness looks over the rim of the world into the cold unfathomable lifeless abyss. I have sought it finally, because in the union of love I have seen, in a mystic miniature, the prefiguring vision of the heaven that saints and poets have imagined. This is what I sought, and though it might seem too good for human life, this is what – at last – I have found.
With equal passion I have sought knowledge. I have wished to understand the hearts of men. I have wished to know why the stars shine. And I have tried to apprehend the Pythagorean power by which number holds sway above the flux. A little of this, but not much, I have achieved.
Love and knowledge, so far as they were possible, led upward toward the heavens. But always pity brought me back to earth. Echoes of cries of pain reverberate in my heart. Children in famine, victims tortured by oppressors, helpless old people a hated burden to their sons, and the whole world of loneliness, poverty, and pain make a mockery of what human life should be. I long to alleviate this evil, but I cannot, and I too suffer.
This has been my life. I have found it worth living, and would gladly live it again if the chance were offered me.
I cannot get over how maddeningly cute this is. Reddit user pendragwen’s comment makes it even better:
Awww! But look at how they test out their chromatophores first thing after hatching! It’s speculated that color-changing is how they communicate and show emotion. Almost like a little joyful stretch and squeal. “Yay! I’m alive!”
Michael Leggett, lead designer of Gmail from 2008-2012
“It’s like Lucky Charms got spewed all over the screen,” he says to me, as he scrolls through his inbox. It’s true. Folders, contacts, Google apps like Docs and Drive–and at least half a dozen notifications–all clutter Gmail at any given moment. And of course, there’s that massive Gmail logo that sits in the upper left-hand corner of the screen. Just in case you forgot that you just typed “gmail.com” into your browser bar three seconds ago. “Go look at any desktop app and tell me how many have a huge fucking logo in the top left,” rants Leggett. “C’mon. It’s pure ego, pure bullshit. Drop the logo. Give me a break.”
Dom Ricciobene makes stunning 3D topographic maps, and very satisfying time-lapses, with a CNC machine. Like this one (don’t want to embed Instagram.) Here’s one of Westeros 💯
What is the cost of lies? It’s not that we’ll mistake them for the truth. The real danger is that if we hear enough lies, then we no longer recognize the truth at all. What can we do then? What else is left but to abandon even the hope of truth and content ourselves instead with stories? In these stories, it doesn’t matter who the heroes are.
But it is still there. Every lie we tell incurs a debt to the truth. Sooner or later, that debt is paid. That is how an RBMK reactor core explodes. Lies.
To be a scientist is to be naive. We are so focused on our search for truth, we fail to consider how few actually want us to find it. But it is always there, whether we see it or not, whether we choose to or not. The truth doesn’t care about our needs or wants. It doesn’t care about our governments, our ideologies, our religions. It will lie in wait for all time. And this, at last, is the gift of Chernobyl.
Where I once would fear the cost of truth, now I only ask: What is the cost of lies?
If you ate this fuel chip, not much of it would likely dissolve in your gut; the matrix is UO2, and U(IV) Oxide is poorly soluble even in the acid environment of the gut. But let’s say it did dissolve completely and got metabolized. You’d be committing yourself to about 20 mSv (2 rem) from Cs-137, and probably a similar dose from Sr-90. Basically, if you were a radiation worker in the USA, your annual dose limit of 5 rem would be met. In many countries and facilities, you would exceed annual allowances.
My new favorite show. Sandra Oh and Jodie Comer are 💯💯💯. The best soundtrack to a TV show I’ve heard in years (Hannibal being my absolute favorite.) Via KC.
Bill Hader is made to faceshift when doing his impression of Arnold Schwarzenegger. It’s weird and brilliant and I love it. Here’s another where he does Al Pacino.
Here’s the making of. They did it over 17 days. I wonder when they got any sleep. At one point he says “we got 2 seconds after 4 hours.” ~3 minutes of video = 360 hours, or 15 days 😬
Once more I summon you Out of the past With poignant love, You who nourished the poet And the lover. I see your gray eyes Looking out to sea In those Rockport summers, Keeping a distance Within the closeness Which was never intrusive Opening out Into the world. And what I remember Is how we laughed Till we cried Swept into merriment Especially when times were hard. And what I remember Is how you never stopped creating And how people sent me Dresses you had designed With rich embroidery In brilliant colors Because they could not bear To give them away Or cast them aside. I summon you now Not to think of The ceaseless battle With pain and ill health, The frailty and the anguish. No, today I remember The creator, The lion-hearted.
Vicki Boykis’ excellent article on every aspect of ‘Data Science’ I can think of: a little history, employment prospects, skills, education, and continuous learning.
It would appear that more than half the job, at least, is wrangling (replicating, cleaning, imputing, transferring, understanding, augmenting) data. It’s boring and super-important so, of course, is the least favorite thing 🙃
Best thing I’ve seen this year. About as spiritual as it gets.
After an unimaginable length of time, even the black holes will have evaporated and the universe will be nothing but a sea of photons, gradually tending towards the same temperature, as the expansion of the universe cools them towards absolute zero. Once the very last remnants of the very last stars are finally decayed away to nothing and everything reaches the same temperature, the story of the universe finally comes to an end. For the first time in its life, the Universe will be permanent and unchanging. Entropy finally stops increasing because the cosmos cannot get any more disordered.
Nothing happens. And it keeps not happening forever.
A black hole with the mass of the sun will last a wizened 1067 years. Considering that the current age of our universe is a paltry 13.8 times 109 years, that’s a good amount of time. But if you happened to turn the Eiffel Tower into a black hole, it would evaporate in only about a day.
It will take hundreds of trillions of years for the first stellar remnant to cool completely, fading from a white dwarf through red, infrared and all the way down to a true black dwarf. By that point, the Universe will hardly be forming any new stars at all, and space will be mostly black.
BLN and I spoke about how we simply have no good strategy to attempt a comprehension of “hundreds of trillions” of years.
It’s just an initiation into the idea until the abilities to appreciate life forthe moments in a row starts to make you a deeper and more fulfilled person, and the energy you put towards pursuing the goals … it starts out obsessive.
The point of goals
My stupid goal: I’ve risen above that and I don’t need a goal, I’m just stupid. I just float free, knowing that after you’ve pursued a stupid goal for a long time, even if you understand it’s not important, you understand it’s a device to help you overcome the absurdity of life.
Social Media (article lists this as “on getting involved”)
[One] modern phenomenon is that people have begun to savor their spectatorship rather than being involved. They don’t want to be a part of it, or if they do, they don’t know how. They construct an artificial wall between reality and themselves — and they don’t cross it.
And on life
The only way to not be crushed by the stupidity of life is to pursue something energetically and gain as much satisfaction as you can before it gets stupid — and just ignore the fact that it’s stupid. The whole thing is shitty. You’re gonna fucking die.
All Yesterdays is an exploration of things we know we will never know about “dinosaurs and prehistoric animals” . Jonathan Wojcik at bogleech.com has an excellent review of the book. Of particular interest: We know little-to-nothing about the creatures’ anatomies and morphologies because of missing soft tissue data. Here are paleoartists’ recreations of a cow and a swan:
Looked up a sperm whale’s skeleton and can’t imagine how lacking a recreation would be:
This article discusses the history and current state of paleoart. And this post is the ultimate TL;DR on the subject
As C.M. Kosemen explains throughout All Yesterdays, we really can’t ever know how much fat and other soft tissues contributed to the overall shape of dinosaurs since that’s the first thing to rot and shrivel tight against their bones and like even a sperm whale has a little skinny skeleton.
An article on how Baud Rate isn’t the same as Bit Rate
Baud rate refers to the number of signal or symbol changes that occur per second. A symbol is one of several voltage, frequency, or phase changes. NRZ binary has two symbols, one for each bit 0 or 1, that represent voltage levels. In this case, the baud or symbol rate is the same as the bit rate.
'Posting’ in the pen world refers to what you do with your pen cap while you write [. . .] when you put the cap on the back of the pen while you write, regardless of whether it pushes on or screws on with threads.
and
[. . .] what do you do with the cap? Do you put it on the desk? Hold it in your hand? Both of these would be ‘non-posting’ or ‘unposted’ writing methods.
“One of my main goals when designing ‘Prune’ was to respect the player’s intelligence and to respect their time, whether that player is 4 or 74,” McDonald said. “So much of the mobile game market just does not do this incredibly simple thing of respecting their players as actual human beings whose time is precious.”
Via co-worker DH. Dara Ó Briain on how Racism is better than Astrology:
Racism is one of the worst social evils they can imagine. “How dare you do that?” they say. "How dare you ascribe to me personality traits? You don’t even know me, but you tell me that you know me, and you know these things about me, and you say I share these personality traits with this huge group of people, and I don’t know them, you don’t know them, and you say not only do we have the same character traits, but we have some sort of common history and some common destiny, and you make all of these horrible presumptions on the back of what? On the back of a fluke of birth. How dare you do that?
[. . .] travel the world and record at least a dozen speakers of every language reading those passages aloud at their normal cadence. Count the overall number of syllables used for each passage and measure the time it took subjects to read their passage. Divide the syllable count by time to get the number of syllables spoken per second. Next, come up with some value for how much meaning is packed into each syllable, which will give you an average information density per syllable. Finally, use those values to derive an “information rate.”
and
English came out on top, but not by much. Most of languages grouped pretty closely together, however, Japanese lagged behind the rest. Interestingly, the languages that conveyed the least amount of information per syllable, like Spanish, Japanese, and French, tended to be spoken at a faster rate. This allowed these languages (apart from Japanese) to deliver a similar amount of information compared to more meaning-dense languages like Mandarin and English.
When a language seems especially telegraphic, usually another factor has come into play: Enough adults learned it at a certain stage in its history that, given the difficulty of learning a new language after childhood, it became a kind of stripped-down “schoolroom” version of itself.
In contrast, one cannot help suspecting that not too many adults have been tackling the likes of sǝq’ayǝƛaaɣwǝaɣhaś. Kabardian has been left to its own devices, and my, has it hoarded a lot of them. This is, as languages go, normal, even if Kabardian is rather extreme. By contrast, only a few languages have been taken up as vehicles of empire and imposed on millions of unsuspecting and underqualified adults. Long-dominant Mandarin, then, is less “busy” than Cantonese and Taiwanese, which have been imposed on fewer people. English came out the way it did because Vikings, who in the first millennium forged something of an empire of their own in northern and western Europe, imposed themselves on the Old English of the people they invaded and, as it were, mowed it. German, meanwhile, stayed “normal.”
In Ithkuil, “Tram-mļöi hhâsmařpţuktôx” translates to “On the contrary, I think it may turn out that this rugged mountain range trails off at some point.” 😐
I think we all know John McWhorter is not to be relied upon when he ventures away from his bailiwick of creole languages, which he is frequently called on to do since he has become the go-to linguistics popularizer, but he does have a pleasant prose style and it’s always fun to argue about his overgeneralizations and sometimes wacky obiter dicta (like the one about the Awful Russian Language).
The value proposition of our agile mindset and scrum methodology is to enable the emergence of disruptive, convergent, crowdsourced platforms that allow our clients to lean in and engage in collective mindshare on established design patterns using the latest usercentric technologies empowered by the cloud.
into this
Here’s how he made it. Fucking brilliant. I saved a list of the terms and phrases that cause the ligatures. On a related note, I’d be bullshitting myself if maintain any hope of finishing this tiny book at some point.
As if I needed another reason to fall in love with Tilda Swinton
Swinton penned a phony IMDb biography to keep the secret, and wore fake genitalia, created by makeup artist Mark Coulier, while in character. (“She did have us make a penis and balls,” Coulier told the paper. “She had this nice, weighty set of genitalia so that she could feel it dangling between her legs, and she managed to get it out on set on a couple of occasions.”) Both she and Guadagnino were miffed when their secret got out. “Frankly, my long-held dream was that we would never have addressed this question at all,” Swinton told the Times. “My original idea was that Lutz would die during the edit, and his ‘In Memoriam’ be the final credit in the film.”
